Legacy - Royal Ballet
"It’s a souffle of feeling, beautifully lit by Joshie Harriette"
Sarah Crompton - Guardian
"the most memorable creative element was Joshie Harriette’s striking lighting designs, including impactful contrasts, which to some extent overpowered the choreography"
Graham Watts
"AX² is also much elevated by Joshie Harriette's impressive lighting rig that casts pools and waves of light across the floor - a neat bit of choreography in its own right"
Bruce Marriott - LiftedLeg
"the show in a blaze of brilliant white light
a powerful undercurrent and the lighting from Joshie Harriette, adds shape and purpose to the structure"
Maggie Foyer - Seeing Dance
EVITA
"Joshie Harriette’s lighting is distinctive and ingenious"
The Times
"Lighting designer Joshie Harriette’s spotlights feature memorably throughout: they caress Evita, dazzle and delight in her, and sometimes even set like the sun"
Guardian
"Blaring spotlights (lighting by Joshie Harriette) shine out over the crowd, bringing them in on the action"
What’s On Stage
"The lighting design (Joshie Harriette) complements the simplicity of the set to perfection. Lighting is used with aplomb to frame scenes and draw our attention to the mood. The pairing of light and set are masterful and give a very modern feel to the action"
EastMidlandsTheatre
"Joshie Harriette’s lighting plays a key part in creating the feel of the production, sparkling alongside Eva’s career rather than setting like the sun when she dies. Great stuff"
ReviewsHub
"Joshie Harriette’s lighting design continues the high-wattage rock concert theme, and the huge circular rig for the opening “Requiem” is stunning"
Punctualsally
"Joshie Harriette’s spectacular lighting design. The lighting is nothing short of incredible – frequently blinding the audience with audience-facing rigs, flashing and strobing the performers, and bringing up and down from the fly tower an array of rigs that, in clear view of the audience, form not only part of the set but create a wide variety of effects and tableaus that amaze and dazzle in equal measure. It would not be unfair for me to say this may well be some of the best lighting I’ve seen on stage this year"
AllThatDazzles
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Legends of Them
"Joshie Harriette’s lighting patterns on a backwall of huge speakers gently help to shape the mood of the piece"
Sarah Hemming - The Financial Times
"Joshie Harriette’s impeccable lighting delivers brush strokes of colour in waves that undulate with music and verse; think a live rendition of an impressionist painting"
John Cutler - Review Hub
"Joshie Harriette’s lighting – which brings an intense focus to the powerful scenes depicted"
Gerrard Martin - Afridiziakn
"Joshie Harriette’s lighting design is exhilarating, creating a colour palette on the back wall, both sides of the proscenium, and the high ceiling loft. It seamlessly transitions between light-hearted illumination when Gayle’s the singing diva, icy tones that reveal the trauma, and warm, uplifting hues when she eventually climbs on the top a mountain peak made of huge floor speakers. Harriette’s intricate and logical design bridges the emotional gaps that enhances the coherence in the narrative"
Ke Meng - Theatre Weekly
"Joshie Harriette’s evocative lighting design"
John Groves - londontheatre1
Sucker Punch
"Joshie Harriette’s dramatic lighting, which fills the space with warm, muggy shadows then cuts to louche neon pinks and purples that add a little flair to the fight scenes"
Dave Fargnoli - The Stage
"the subduing or focusing of onstage lighting by Joshie Harriette, creating the atmosphere change between the boxing gym and a real-life ring, helps bring these moments to life"
Sam Waite - all that dazzles
Shirley Valentine
"Particularly beautiful is the delicately nuanced lighting from Joshie Harriette, which almost imperceptibly underlines the shifting emotions in the text. This is not just another revival of a popular play, but a beautifully crafted piece of theatre that is a joy to watch."
Nigel Smith - The Stage
"Here, it's Joshie Harriette's skilful lighting design which assists the narrative"
Arts City Liverpool